- #RODGERS AND HAMMERSTEIN'S CINDERELLA YOUTUBE HOW TO#
- #RODGERS AND HAMMERSTEIN'S CINDERELLA YOUTUBE MOVIE#
So, for example, the first show that Columbia got was South Pacific, the fourth Rodgers & Hammerstein production, in 1949.
During the era, Columbia competed with such rivals as Decca Records and RCA Victor Records for the right to record original Broadway cast albums, and Rodgers & Hammerstein did not contract with any label for more than one show at a time. That's not the way that the culture was going at that time.Sony Music Entertainment celebrated the 50th anniversary of the partnership of Richard Rodgers and Oscar Hammerstein II in 1993 by compiling this CD-length collection of songs by the pair drawn from original Broadway cast albums and other recordings from the company's catalog, originally released in the 1940s, '50s, and '60s by Columbia Records, Sony's flagship label. She needed to have a story of her own that superseded just being attracted to his good looks. We were also worried about making sure that Cinderella was defined by more than falling in love with a handsome prince. There was no pushback from the organization at all! I think it was because Whitney was so huge at that time to a lot of executives she was popular entertainment as opposed to being defined by her race. This is more normal than being part of a cast that doesn't have any color in it."Įxecutive producer Neil Meron noted the team's intention from the start: "It was going to be a diverse world that we would present. "This integrated cast is how the real world is. "Before, it was either all-lack or all-white, but never a normal mix of people," she said. The incredibly diverse casting is not a gimmick (like all too many modern films' attempts to be "inclusive") rather, it's simply a representation of the multicultural world we live in–and have always lived in.Īfter the film's debut, a New York Times review noted, "There is no cause to wonder why one stepsister is lack and one white." Because, as Whoopi Goldberg told Jet magazinein 1997, within the world of Cinderella, the interracial casting "makes perfect sense." Truly, at the core of the film's indelible mark on '90s culture is the fact that the film is not so fantastical at all. Like a person, with kindness and respect." My wife told me about how women were depicted affected her growing up-you know, like in those Doris Day movies, and even in the past 'Cinderellas.' I was particularly sensitive to not telling a story of 'she's just waiting for the prince or the white knight on the white horse to come and take her away.'"Īs a credit to his success, during one memorable moment between Cinderella and Prince Christopher (who is actually given a name in this adaptation, rather than just being a blank "prince charming" figure who saves the poor peasant girl), he opines to Cinderella that a girl should be treated " like a princess." Cinderella quickly corrects him: "No.
#RODGERS AND HAMMERSTEIN'S CINDERELLA YOUTUBE HOW TO#
Whitney Houston & Brandy - IMPOSSIBLE / IT'S POSSIBLE (from "R&H's Cinderella," 1997) As he told Shondaland in 2017 for the 20th anniversary of the film, "I was thinking about how to write for 1997, for young girls watching it.
#RODGERS AND HAMMERSTEIN'S CINDERELLA YOUTUBE MOVIE#
With Houston serving as a producer, the TV movie was written by Robert Freedman, who very consciously set out to "write it multiculturally." But that's not a surprise considering the fact that Cinderella was created as an opportunity for Whitney Houston to shine in a musical.
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